Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Horseman likeness of the Shah Dschahan, leaf out of the Shah-Dschahan-album period of the Schan Dschahan

ID: 45851

unknow artist Horseman likeness of the Shah Dschahan, leaf out of the Shah-Dschahan-album period of the Schan Dschahan
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unknow artist Horseman likeness of the Shah Dschahan, leaf out of the Shah-Dschahan-album period of the Schan Dschahan


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 521 | Paint the court of Gajoemarth, from the Shahs-names | Still life floral, all kinds of reality flowers oil painting 341 | Pa Austria s batteridack lived sjomannen together with choir ocb father as stood tether among cannons and second weapon | The Ideological Position |
Related Artists:
Arthur Ignatius Keller
American , 1866-1924
Galland Pierre Victor
Geneve 1822-Paris 1892 He studied metalwork with his father Jacques Galland, an accomplished goldsmith, until age 16. He then entered the studio of Henri Labrouste to study architecture. After two years of training, Labrouste encouraged him to pursue his interest in decorative painting under the direction of Michel-Martin Drolling. In 1843 the decorative painter Pierre-Luc-Charles Ciceri (1782-1868) hired Galland to assist with the painting of figures, flowers, garlands and fruit. He worked again with Labrouste, in 1848, on the decoration of the national festival, the F?te de la Concorde.
Francis Hayman
English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.






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